Fringe Festival confronts challenging times with reminders of flexibility, resilience, and reconciliation
By
Fawnda Mithrush
in the
Arts Roundup
Of all the challenges foist upon arts organizations over the past year, adaptability has been key to survival — even growth — for most.
That's remained true for the Edmonton Fringe Festival throughout its first week of shows. As reviews began to roll in, festival organizers reconsidered their plan for ticketed entry to ATB Park (usually known as McIntrye Park, or Gazebo Park), which is housing all outdoor performances, beer gardens, and food vendors this year. Based on patron feedback, the space shifted to pay-what-you-can entry as of Aug. 14.
"We are not gates and fences," explained Murray Utas, the Fringe's artistic director. "This year has been a grand experimentation as we reimagine the Fringe experience within a pandemic context," he said, noting that while tickets are still required to enter the park to ensure safe distancing, the price is up to the patron.
Another mid-run shift for the Fringe is the raising of a tipi, care of Enoch Cree Nation and the wisdom of Uncle Hopi. The tipi was installed on Aug. 18, and will remain outside the pêhonân venue (previously The Roxy on Gateway, or C103, at 8529 103 Street) until the closing day of the festival on Aug. 22.
The venue's name comes from a Cree term for "meeting place" or "waiting place", and in a year when the Fringe has substantially reduced its number of venues, the dream of an Indigenous space in the program has come to fruition after years of planning.