The Pulse: March 20, 2024

Here's what you need to know about Edmonton today.

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Essentials

  • -3°C: Periods of light snow ending in the afternoon then cloudy. Wind up to 15 km/h. High minus 3. Wind chill minus 13 in the morning and minus 7 in the afternoon. UV index 1 or low. (forecast)
  • Blue/Pink/White: The High Level Bridge will be lit blue, pink, and white for Alberta Francophonie Month & International Francophonie Day. (details)
  • 3-2: The Edmonton Oilers (41-21-4) defeated the Montréal Canadiens (25-31-12) in overtime on March 19. (details)

Four people sit on a couch at the CHEW Project.

Boyle Street to take over CHEW Project operations


By Stephanie Swensrude

Boyle Street Community Services is taking over the day-to-day operation of the CHEW Project on April 1 as the centre has struggled with staffing and new requirements. Youth Empowerment and Support Services will also provide specialized training as part of the new partnership.

The Community Health Empowerment & Wellness Project, or CHEW, was born about 10 years ago out of the Fyrefly Institute at the University of Alberta. CHEW serves vulnerable or homeless 2SLGBTQ+ people who are younger than 30. About 270 people are registered with the centre. People as young as elementary-school-aged children have used its services.

At its busiest, the CHEW centre operated six days a week, offering queer youth showers, laundry, food, harm reduction, and counselling. The centre currently operates out of a city-owned building just south of Strathcona High School.

Fyrefly's executive director Glynnis Lieb told Taproot that CHEW had to cut down to two days a week of on-site work in mid-February due to a perfect storm of factors. The university had started reevaluating risk assessments and health and safety protocols for several programs, and Lieb said it mandated that CHEW had to have two to three staff members on site at all times. The requirement was hard on the centre's finances.

There were other requirements that proved difficult. The centre also had to let staff go because it couldn't prove it had sufficient funding to pay them for the length of their contracts. Boyle Street Community Services has been lending staff, so to speak, to help keep CHEW running.

In January, the two services started discussing an official partnership. "I'm really excited about the partnership with Boyle because they have a long history," Lieb said. "It gives us an ability to share resources. They can train up multiple staff and give us some leverage because we're at the point where if one person calls in sick, we have to close that day because we don't meet minimum staffing criteria."

The partnership between Boyle and CHEW comes about six months after Boyle moved some of its services into a Bissell Centre building. Elliott Tanti, director of communications at Boyle, told Taproot earlier this year that the move has improved efficiency.

Lieb said she believes this trend will continue. "(Non-profits) are really recognizing that kind of 'communal living' is the way of the future. We need to share spaces, we need to share resources, and people have been amazing, offering each other space, offering support," she said. "The not-for-profit sector in this city is amazing, really amazing. And working with nothing — like, bare bones, for the love of the community."

In a province where policies have been proposed that would limit gender-affirming care for transgender minors, it was "painful" to have to reduce services for queer youth, Lieb said. "People just want to be around folks where they feel supported. People feel isolated, they feel targeted, so the need for one on one conversations has really increased."

Lieb said CHEW eventually hopes to open a 24-7 shelter. "That's our ultimate goal and hopefully now with this partnership in the next couple of years, we'll see that come to fruition."

Boyle is currently operating out of eight spaces after it vacated its main building just north of Rogers Place in the fall of 2023, as it "no longer (remained) financially viable" to stay. Boyle had leased the building from the Katz Group. Recently, CBC obtained court documents that explain the situation further. Boyle alleges that when its new King Thunderbird Centre project faced delays, the Katz Group said the social service could stay in the old building if it would forego a $5 million donation. The Katz Group denies this. The Thunderbird Centre is expected to be completed in early 2025.

Photo: Youth at the CHEW Project space. (Supplied)

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Headlines: March 20, 2024


By Mariam Ibrahim

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A picture of a newspaper headline that reads, "Festivals won't appeal city grants"

A moment in history: March 20, 1986


By Scott Lilwall

On this day in 1986, Edmonton's Fringe Theatre Festival agreed to accept $59,000 of funding from the city.

The still-young festival had asked for closer to $80,000 to run the event for 1986 but accepted a lower amount with the belief that there was, in the words of founder Brian Paisley, "just no more money there to be got."

How Edmonton's famous Fringe Festival was created is a narrative filled with oddity. Paisley had newly arrived in the city. He had started the travelling Chinook Theatre company in British Columbia in the late 1970s and its success soon led to Paisley creating a permanent home for the theatre in Edmonton. Then, in 1982, the city unexpectedly offered Paisley $50,000 to produce a theatrical component for its Summerfest festival (the money was originally destined for a different theatre program before the city cut it and sent the money Paisley's way).

The funding arrived within an interesting context, too. Edmonton has long had a thriving theatre scene, but stages generally went dark in summer as it was then largely considered the off-season. There was also a lot of discontent within the city's drama community. Many artists thought the scene had become highly censored and hierarchical, with most of the power concentrated in a few organizers and funders. Paisley was among those critics and set out to use the Summerfest grant to create something more egalitarian, rebellious, and weird.

Enter 1982, and the first Fringe Festival. Paisley modelled the theatre event after the famous Edinburgh Fringe Festival, which has run since the late 1940s. Among the key tenets of both festivals was that ticket sales go directly to the artists involved.

Still, there were key differences. Unlike Edinburgh's event, where artists were responsible for securing venues, Edmonton's Fringe Festival offered facilities and support for productions. Shows were selected on a first-come, first-served basis to remove censorship or theatrical gatekeeping. That summer, the inaugural Fringe Festival opened with 200 shows running in five venues within Old Strathcona and became North America's first fringe theatre festival.

The festival was an immediate hit, selling 7,500 tickets in 1982. Subsequent years saw more enthusiasm, with attendance nearly doubling every summer. This led to long lines outside venues since tickets couldn't be purchased in advance in the early years. Rather than dampening the festivities, the queues gave theatregoers a chance to socialize. They also gave musicians, actors, and performers a captive audience. It wasn't long before the resulting street carnival atmosphere became a defining aspect of the festival.

The Edmonton Fringe Festival has always, technically, been an international event. Its first year featured a show by Brazilian puppeteers who happened to be in the city, and it grew from that point to attract artists from all over the world. In fact, nearly two dozen actors from the former Soviet Union found themselves stranded in Edmonton during the 1991 festival. They had travelled here to stage a Russian adaptation of George Orwell's Animal Farm but found themselves unable to return home thanks to an attempted coup against President Mikhail Gorbachev. Local artists took in the stranded thespians until they could return home.

While the number of shows and venues continued to grow, there was always a limit to the number of artists that could take part in the Fringe Festival. In 1992, several theatre groups staged unofficial productions at other venues during the festival. These became coined as "Bring Your Own Venue" (BYOV) shows by the festival director. Since then, BYOVs have become an integral part of the experience, and have opened the Fringe Festival to new audiences and performers.

Since its inception in 1982, Edmonton has only seen one Fringe-less year: the festival was put on hold in 2020 due to the COVID-19 pandemic. The festival returned in a scaled-down version the following year, and then celebrated its 40th anniversary in 2022. But today, 42 years after Paisley first created a defining part of Edmonton's identity, the Fringe is asking for monthly donations from supporters to prevent needing to scale back again. Indeed, without quick and substantial support, Fringe organizers say they will potentially cut a third of the 2024 festival. "It really hurts to think about what that might mean," executive director Megan Dart told CTV. "If we look at scaling our operations this year, we're looking at a long regrowth trajectory that will take us years to get back to pre-pandemic programming levels."

This clipping was found on Vintage Edmonton, a daily look at Edmonton's history from armchair archivist @revRecluse of @VintageEdmonton.

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A title card that reads Taproot Edmonton Calendar: edmonton.taproot.events

Happenings: March 20, 2024


By Debbi Serafinchon

Here are some events happening today in the Edmonton area.

And here are some upcoming events to keep in mind:

Visit the beta version of the Taproot Edmonton Calendar for many more events in the Edmonton region.

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