
New Edmonton Screen CEO wants to leverage local strengths for global growth
The incoming CEO of Edmonton Screen says he’s leaving a nearly 18-year career as film commissioner with Calgary Economic Development to help nurture Edmonton’s film, TV, and digital media talent and attract outside productions.
“There are a lot of great content creators up there, a lot of people that work within the creative economy,” Luke Azevedo, who will take the job on April 21, told Taproot on a call from Calgary. “It gives me an opportunity to go up there, try to help, become part of that community, and build the community over a period of time so that we become a much more relevant component of the city and province’s ecosystem, foreign direct investment, and job creation.”
Azevedo is replacing Tom Viinikka, who left as head of Edmonton Screen to take the reins at Edmonton Unlimited in 2024. Azevedo is also relieving Dorian Rowe of his post as interim CEO.
While in Calgary, Azevedo was vice-president of creative industries at Calgary Economic Development, as well as film commissioner, and part of the team that convinced HBO to film The Last of Us in 180 different locations across Alberta, including in both Edmonton and Calgary.
Calgary is Canada’s fourth largest film jurisdiction, and receives 80% of spending in Alberta for film, TV, and commercial production. Notable productions in Calgary include The Revenant, Ghostbusters: Afterlife, Under the Banner of Heaven, Prey, the TV version of Fargo, and more. The city has easy access to diverse backdrops like the Rockies and the Badlands.
Azevedo said Edmonton has success, too, and that he plans to sing its praises more loudly at Edmonton Screen. “There’s been lots of productions that have gone through that have done unit shoots or done their entire production in (Edmonton),” he said. “I think over the years, because of the growth that was happening in Calgary, maybe (Edmonton) didn’t get the same kind of exposure.”
One way Azevedo is building the screen industries across Alberta, alongside various public-funding bodies, is with the new Screen Access Alberta platform. It’s a portal that helps people enter screen industries with an aptitude test, education resources, job postings, and more.
“We’re hoping that it becomes the de facto location for people that want to get into the industry or learn more about the industry,” Azevedo said. “We’ve never had anything like this in the province.”
Azevedo said his work with Edmonton Screen will also include him figuring out what Edmonton needs to grow. “We’re creating a balance between how we’re growing, and when it’s time to start going out there and actually recruit these major (TV and film productions) — if a show comes into the region, absolutely, we’ll take it on,” he said. “My job is to try to evaluate where we sit within that structure, and how we create a positive environment for growth locally, and then looking at the foreign market.”