The Pulse: Feb. 28, 2024

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Essentials

  • -10°C: A mix of sun and cloud. Becoming cloudy in the afternoon. Wind becoming east 20 km/h gusting to 40 in the afternoon. High minus 10. Wind chill minus 25 in the morning and minus 18 in the afternoon. UV index 1 or low. (forecast)
  • Pink: The High Level Bridge will be lit pink for Pink Shirt Day - Anti-Bullying Day. (details)
  • 6:30pm: The Edmonton Oilers (34-20-2) host the St. Louis Blues (30-25-2) at Rogers Place. (details)

Smiling party-goers dance in a line beside a crouching man wielding a smartphone.

La Connexional celebrates Black histories and futures


By Colin Gallant

A new dance festival that takes place on March 2 is just one way La Connexional celebrates Black and Latin cultures beyond the confines of February.

"We don't necessarily want to tie it to a month, but it kind of fits that it's right after Black History Month," La Connexional's CEO and strategic partnership manager, Ivan Ngandjui Touko, told Taproot about the new festival. "For me and for my team, we are now in a phase where we just want to normalize Black history or Black futures events … How do we just keep having these events? No matter the time of the year, not just in February."

Black futures is a term that describes history in the making, Touko said, in addition to emphasizing pluralism. "The shift that has happened around Black Futures Month is very recent, like the idea of Afrofuturism," he said. "When you put the 'E-S' (in Black histories), it really emphasizes that the Black experience is not a monolith."

The Annual Inter-generational Afrikan Diaspora Music and Dance Festival will be spread across 9910 (open to all ages from 5pm to 9pm) and Double Dragon (open to adults only from 9pm to 2am). It entails dance performances and tutorials, live and DJ music, and family activities. The event showcases new and traditional styles from Touko's birthplace of Cameroon, plus Nigeria, Zimbabwe, Congo, Kenya, Jamaica, and different parts of Latin America.

"There's actually a lot of deep connections between a lot of African, Black, Caribbean, and Latin cultures," Touko said. "When people think of the Caribbean and Latin America, they forget that Brazil is actually the biggest diaspora of people of African descent."

An example of cross-generational artistry is the inclusion in the festival of both Afrobeat (jazz-influenced music that erupted in the '70s) and Afrobeats (a wide-ranging label for West African, pop-inspired music made after the year 2000).

"The saxophone is actually an instrument that was very much present in Afrobeat — without the S — that was created by Fela Kuti," Touko said, acknowledging sax is also present in Afrobeats, plural. "We are bringing together all the different generations. The only age group that we don't have in the lineup, that I'm really hoping to add in the future, is a group under 18."

Touko said part of La Connexional's work is to foster unity. "There's lots of different heritages … lots of connections between these two cultures," he said. "That's the primary way we bring those people under one umbrella, but also inviting other people to join us in celebrating these cultures."

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Headlines: Feb. 28, 2024


By Mariam Ibrahim

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A newspaper clipping of a photograph of a person sitting at a control board, surrounded by a turntable, and speaking into a microphone.

A moment in history: Feb. 28, 1959


By Scott Lilwall

On this day in 1959, volunteers at the University of Alberta's Radio Society were spinning records for their fellow students.

At that time, the Varsity Radio Society was made up of 23 student volunteers. But the group served as an important part of the history of university radio that stretches back almost a century.

The U of A first hit the airwaves back in 1927, when CKUA sent its first broadcast from the basement of the Powerplant building on campus. The station was an experiment in using radio as an educational tool, and its programming was a mix of academic lectures, music, and radio drama.

When ownership of CKUA moved to the provincial government in 1945, much of the station's equipment and infrastructure was left behind. Rather than let it go to waste, volunteers formed the Radio Society. They moved the operation to the second floor of the Student Union Building (SUB) on campus. Despite calling itself a "radio society," the group didn't actually broadcast at first. Instead, they piped music, news, and talk shows through the public address system in SUB, all run from a homemade control board.

But their work wasn't confined to the walls of SUB. The society produced around 400 minutes of programming daily, including a weekly show that aired on CKUA, as well as other shows and event recordings that were broadcast from other stations across Alberta. Eventually, the society's extended its reach — first to the PA system in other buildings on campus, then to the actual airwaves. In the 1970s, the society installed an AM antenna, which allowed it to broadcast across most of the university grounds. The new station was first given the call letters CKSR. But in 1978, they were switched to CJSR.

In 1983, CJSR gained the licence and the equipment to broadcast on the FM radio frequency. This allowed the station to reach beyond the U of A (although with only a 44-watt transmitter, not too far.) Joni Mitchell's You Turn Me On, I'm a Radio became the first song to mark this stage of the university's broadcast history.

The volunteer-run CJSR fully embraced the idea of alternative radio, playing a mix of eclectic and emerging music, alternative news shows, and coverage of campus issues. That ethos continues to this day, with the station offering a listening experience that's often eclectic, sometimes challenging, but always unique from other Edmonton stations. It has continued to grow from its humble history as a small student group. CJSR now has hundreds of volunteers and produces dozens of shows, some of which are broadcast nationally. In 1992, a 900-watt transmitter upgrade meant the station could be heard across Edmonton, as well as worldwide on the internet.

In addition to its continued focus on alternative music and programming, the station has served as a training ground for people in music and broadcasting (including, a very long time ago, the writer of this piece).

Today, in a time of increased consolidation in broadcasting, CJSR continues as an independent non-profit run from the basement of SUB. But the station's funding is less than certain. It is partially paid for by fees collected from U of A students. That fee is currently up for renewal and will be decided by a plebiscite during the Students' Union elections next month.

This clipping was found on Vintage Edmonton, a daily look at Edmonton's history from armchair archivist @revRecluse of @VintageEdmonton.

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A title card that reads Taproot Edmonton Calendar: edmonton.taproot.events

Happenings: Feb. 28, 2024


By Debbi Serafinchon

Here are some events happening today in the Edmonton area.

And here are some upcoming events to keep in mind:

Visit the beta version of the Taproot Edmonton Calendar for many more events in the Edmonton region.

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