Together We Fringe offers hybrid version of popular festival
By
Fawnda Mithrush
in the
Arts Roundup
In a year where uncertainty and challenge prevailed for most arts organizations, Edmonton's Fringe Theatre office has been as busy as ever.
Perhaps it's not surprising, considering the scrappy attitude of the festival's beginnings in 1982 which influenced this year's iteration of the event — set to run Aug. 12-22 throughout Old Strathcona and online.
"It's beautiful chaos over here," says Megan Dart, interim executive director with the festival since Adam Mitchell's departure earlier this year. "As crunchy as it's been, we're all doing the thing we love."
The in-person component of Together We Fringe offers live shows in 11 participating venues (down from the 150 venues in 2019), ensuring plenty of elbow room for masked audiences. For the first time, the Freewill Shakespeare Festival will also make an appearance in the program, with two cinched-up, small-cast versions of Much Ado About Nothing and Macbeth to delight lovers of the bard.
A new addition to the circuit this year is the pêhonân venue (a.k.a. The Roxy on Gateway), programmed by the Fringe's director of Indigenous strategic planning, Josh Languedoc. Featuring a different Indigenous production each night of the festival, the venue also exists as a welcoming space, outside the standard no-latecomer, must-have-ticket rules.
"With pêhonân, the intention is to soften that a bit," says Languedoc, who will be hosting daytime community conversations in the space as well.
Shows to note include Noah Green and his grandmother in Chubby Cree, Good Medicine with dancer Darrell Joe Brertton, Rebecca Sadwoski's The Sash Maker, an Indigenous cabaret showcase on the closing Saturday, and an already fully-booked showing of LightningCloud's Bear Grease, inspired by the classic musical.